Chiaravalle abbey was founded in 1135 as a daughterhouse of Clairvaux; it is one of the first examples of Gothic architecture in Italy, although maintaining some late Romanesque influences.
After a series of temporary buildings had been constructed, the construction of the permanent church was begun around 1150–1160; it was consecrated on 2 May 1221. Works continued in the 13th century with the first cloister, south of the church, and, in the 14th century, the crossing tower and the refectory. In 1412 a small chapel was built next to the southern transept. Today it is used as the sacristy.
In 1442 the abbey was placed in commendam. In 1490 Cardinal Ascanio Sforza (the brother of Ludovico il Moro, duke of Milan) commissioned Bramante and Giovanni Antonio Amadeo to construct the Chiostro Grande ('large cloister') and the chapterhouse.
During the Renaissance, numerous painters and artists worked in the abbey: to this period belong for example Bernardino Luini's works. From 1614 to 1616 the brothers Giovanni Battista and Giovanni Mauro della Rovere decorated the interior walls of the church with the frescoes which are still visible today.
When the Napoleonic Cisalpine Republic was founded in 1798, the monastery was partly demolished. What remained included the church, part of the small cloister, the refectory and the entrance buildings. In 1861 Bramante's cloister was destroyed to make way for the construction of the Milan-Pavia-Genoa railway. The abbey remained a private property until 1894, while the Cistercians returned in 1952.
Chiaravalle Abbey is a beautiful temple and well worth seeing, but only for those staying in Milan for over a weekend, otherwise it is too far out to be worthwhile.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.