The Biblioteca Ambrosiana is a historic library in Milan, also housing the Pinacoteca Ambrosiana, the Ambrosian art gallery. Named after Ambrose, the patron saint of Milan, it was founded in 1609 by Cardinal Federico Borromeo, whose agents scoured Western Europe and even Greece and Syria for books and manuscripts. Some major acquisitions of complete libraries were the manuscripts of the Benedictine monastery of Bobbio (1606) and the library of the Paduan Vincenzo Pinelli, whose more than 800 manuscripts filled 70 cases when they were sent to Milan and included the famous Iliad, the Ilia Picta.
Among the 30,000 manuscripts, which range from Greek and Latin to Hebrew, Syriac, Arabic, Ethiopian, Turkish and Persian, is the Muratorian fragment, of ca 170 A.D., the earliest example of a Biblical canon and an original copy of De divina proportione by Luca Pacioli. Among Christian and Islamic Arabic manuscripts are treatises on medicine, a unique 11th-century diwan of poets, and the oldest copy of the Kitab Sibawahaihi.
Artwork at the Pinacoteca Ambrosiana includes da Vinci's Portrait of a Musician, Caravaggio's Basket of Fruit, and Raphael's cartoon of The School of Athens.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.