The 17th-century Convent of Sant Agusti, in the heart of Ciutadella, is still used as a residence for a community of nuns while also being a cultural focal point for the public at large because it houses the Diocesan Museum.
The Church of Socorro (Solace), alongside the cloister, is built in the Renaissance style, with one single nave and side chapels, covered by a barrel vault and a transept topped with a dome. The facade, defined by its two twin towers, reveals a late 18th-century gateway, with three gates opening onto a great atrium, decorated with the emblems of the Augustinian order and crowned by Our Lady of Perpetuo Socorro. It was heavily refurbished during that period, with the construction of the main reredoses, the organ and the interior decoration, which left the vaults, dome and walls covered with fresco murals.
The devastation suffered during the Civil War led to the destruction of the reredoses and the other liturgical furniture. Meanwhile, over the decades during which it was closed or used for a whole range of functions it suffered ever worsening deterioration, a process which has been arrested over the last 15 years by embarking on the costly and complex task of restoration and refurbishment now in progress. Nonetheless, only a few fragments remain. The Baroque organ was built in 1793 by the Catalan master craftsman Josep Casas i Soler, was destroyed in the Civil War, and recently rebuilt by the team of organ maker Albert Blancafort. The choir retains its beautiful walnut seating with marquetry ornamentation.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.