Naumburg Cathedral is a renowned landmark of the German late Romanesque and has been recognised as UNESCO World Heritage Site in 2018. The west choir with the famous donor portrait statues of the twelve cathedral founders (Stifterfiguren) and the Lettner, works of the Naumburg Master, is one of the most significant early Gothic monuments.
The history of the town of Naumburg begins at the turn of the 9th and 10th centuries. It is likely that Markgraf (Margrave) Ekkehard I of Meissen and the most powerful man on the eastern border of the Holy Roman Empire was the founder. Ekkehard's sons founded a small parish church in the western part of the area around the castle in the early 11th century.
In 1029, just to the east of the existing parish church the construction of the early-Romanesque cathedral was begun. In 1044, during the reign of Bishop Hunold of Merseburg, the church was consecrated. Rebuilding of the cathedral started around 1210. Of the old structure only the crypt survived and this lost its apse, but was expanded to the east and west such that it now extends not just under the new choir but also under the crossing.
In the mid-13th century the early-Gothic west choir was added, replacing the old parish church. It was likely finished by 1260. The western towers were raised by one floor shortly thereafter. In around 1330 the high-Gothic polygonal east choir was built, requiring the destruction of the Romanesque apse. Additional floors were added to the western towers in the 14th and 15th centuries. The Dreikönigskapelle was consecrated in 1416.
A fire damaged the cathedral in 1532, destroying the roofs. After that the eastern towers were raised. The fire also destroyed the three-aisled nave of the collegiate church dedicated to Mary next door to the cathedral, of which today only the choir remains.
The copper roofs and lanterns of the eastern towers were added in 1713/14 and 1725/28. Around mid-century the interior was turned into a Baroque church. This was undone by a 'purification' in 1874/78 aimed at restoring the cathedral to a medieval, i.e. Romanesque/Gothic look, even at the price of replacing Baroque items with new Romanesque/Gothic Revival art.
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Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.