The Villa Poppaea is an ancient Roman seaside villa situated in the ancient Roman town of Oplontis (the modern Torre Annunziata). Evidence suggests that it was owned by the Emperor Nero, and it is believed to have been used by his second wife, Poppaea Sabina, as her main residence when she was not in Rome.
Like many of the other houses in the area, the villa shows signs of remodeling, probably to repair damage from the earthquake in 62 CE. The oldest part of the house centers round the atrium and dates from the middle of 1st century BCE. During the remodeling, the house was extended to the east, with the addition of various reception and service rooms, gardens and a large swimming pool.
Like many of the frescoes that were preserved due to the eruption of Mount Vesuvius, those decorating the walls of the Villa Poppaea are striking both in form and in color. Many of the frescoes are in the “Second Style” of ancient Roman painting, dating to ca. 90-25 BCE. Details include feigned architectural features such as trompe-l'œil windows, doors, and painted columns.
Frescoes in the caldarium depicting Hercules in the Garden of the Hesperides are painted in the 'Third Style' (also called the Ornate Style) dating to ca. 25 BCE-40 CE. Attention to realistic perspective is abandoned in favor of flatness and elongated architectural forms which “form a kind of shrine' around a central scene, which is often mythological.
Villa Poppaea is part of the UNESCO World Heritage Site Archaeological Areas of Pompei, Herculaneum and Torre Annunziata.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.