The Collegiate Church of St Mary Magdalene was founded in 1274 on the ruins of a medieval fortress on the initiative of Atrani. Over time the church has undergone considerable restoration. In 1570, near collapse, funds were raised by special taxes on wheat and export of manufactured goods to restore the church.
The building underwent a second operation almost a century later, in 1669. On that occasion it also repaired the sacristy which was equipped with an external counter. In 1753, as the population grew the church was enlarged and expanded by donations from private citizens in addition to the contribution of municipal regiment. It was during this work that the fortress was finally demolished in order to free up additional space enlargement. In recent times, it was renovated by the architect Lorenzo Casalbore of Salerno.
The church is decorated with two transepts. One ceiling is covered externally with tiles; the other has a flat roof. There are numerous statues and paintings placed in various side chapels: The Madonna shepherdess (famous sculpture of 1789) and The Incredulity of St. Thomas (work of the 16th century Salerno Andrea Sabatini). The facade of the church is considered the only example of Rococo on the Amalfi Coast. The terrace of the sacristy overlooks the Gulf of Salerno as the Belvedere of Villa Cimbrone. The bell tower, with its brown tuff, is reminiscent of the Madonna del Carmine in Naples.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.