Sitting high atop a promontory that offers stunning views of the Mediterranean and the dramatic coastline below, the Villa Cimbrone is the crown laurel of Ravello.
Villa Cimbrone stands on a rocky outcrop known as 'Cimbronium', and it is from this landscape feature that the villa takes its name. The earliest references to the villa date back to the eleventh century AD, when the villa belonged to the Accongiogioco, a noble family. It later passed to the ownership of a wealthy and influential family, the Fusco, who are also recorded in 1291 as owning the local church of S. Angelo de Cimbrone.
At a later stage in its history the villa became part of the nearby monastery of Santa Chiara, and during this period of the villa's history the papal arms of Cardinal Della Rovere were placed on the old entrance gate. From the seventeenth century the villa's history is uncertain, but by the second half of the nineteenth century the villa had passed to the Amici family of Atrani.
The villa and the gardens were extensively renovated by a British nobleman, Lord Grimthorpe, in the early 20th century. With its expansive gardens and dramatic views, the villa is a popular place for weddings, honeymoons, and receptions. The villa is a private five-star hotel, but the gardens are open to the public and it ranks, perhaps, as the most memorable sight on the Amalfi Coast.
The villa’s belvedere, Terrazza dell’Infinito (Terrace of Infinity), is lined by a series of marble busts that on clear days sparkle against the bluesky above and the azure waters of the Mediterranean below.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.