The Villa San Michele was built around the turn of the 19th century on the Isle of Capri by the Swedish physician and author Axel Munthe.
The villa's gardens have panoramic views of the town of Capri and its harbour, the Sorrentine Peninsula, and Mount Vesuvius. The villa sits on a ledge at the top of the Phoenician Steps, between Anacapri and Capri, at a height of 327 meters above sea level.
San Michele's gardens are adorned with many relics and works of art dating from ancient Egypt and other periods of classical antiquity. They now form part of the Grandi Giardini Italiani.
In his later years, Axel Munthe wrote his haunting youthful memoir The Story of San Michele, which describes how he first discovered the island and built the villa, decorated with the remains of palaces built by the Ancient Romans which he found on his land. This colourfully written book was first published in 1929 and became an immediate worldwide success, being translated into many languages. It has been reprinted many times since then.
Between 1919 and 1920, Munthe was an unwilling landlord to the outrageous socialite and muse Luisa Casati, who took possession of Villa San Michele. This was described by the Scottish author Compton Mackenzie in his diaries.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.