Castello Barbarossa is an archaeological ruin and ornithological station on the island of Capri. It derives its name from the pirate and Ottoman admiral, Hayreddin, nicknamed Barbarossa ('Redbeard'), who stormed it in 1535 and destroyed it in 1544. The construction date is uncertain but it perhaps dates back to the late ninth century. From 1898, the structure, now in ruins, was owned by the Swedish psychiatrist Axel Munthewho donated it to his foundation. The surroundings, interesting for their botanical features, are home to the island's ornithological station.
The plan of the castle is quadrangular with a semicircular wall. The ruins of the highest part, as well as forming the core of the building, belong to what was once the residential area of the castle. Indeed, there is a chapel with a vaulted apse, a belfry and a cistern that was used as a warehouse Another area, offset from the chapel, retains many features, including a vaulted roof, a small partly walled embrasure, and an arched opening. Finally, there is a room with an iron-beamed roof. Built of local stone, the fort has vaulted roofs and tiled floors. The most significant architectural features are its two towers, indicating the military function of the castle. One of them, square-shaped, was built in the Swabian period, the other, however, is circular and was built in the Angevin period.
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The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.