Santi Apostoli is a Baroque-style church in Naples. Legend holds that a church at the site was built atop a Temple of Mercury by Emperor Constantine. Restored by the Caracciolo Family, it was ceded in 1570 to the Theatine Order. By 1590, the adjacent cloister and monastery was designed by Francesco Grimaldi. In the early 17th century was reconstructed by Giacomo Conforti. In 1638, the work was continued by Bartolomeo Picchiatti. In the 19th century, the Theatine order was suppressed and the church turned over in administrations. An earthquake damaged the dome. The church now belongs to the Liceo Artistico Statale di Napoli.
The counter-facade and ceiling panels were frescoed by Giovanni Lanfranco in the 1640s. The panels contain the following depictions: a Martyrdom of Apostles Simone e Giuda; a Martyrdom of St Thomas Apostle; a Martyrdom of St Bartholomew; a Martyrdom of St Matthew; a Martyrdom of St John Evangelist; a Glory of the Apostles, Virtue, Prophets, Patriarchs, and finally the four Evangelists on the pendentives of the dome.
The cupola has a large fresco depicting Paradise (1684) by Giovanni Battista Benasca, who also painted the frescoes in the chapel of St Michael. This chapel has a painting by Marco da Siena The lunnettes in this chapel were painted by Giordano and Solimena. Over the main door is a painting of the Healing Pool by Viviani. The main altar was designed by Fuga. In the choir are five canvases by Solimena. The altar in the Filomarina Chapel at the right of the main altar, was designed (1647) by Borromini. The chapel has mosaics made by Giovanni Battista Calandra and copied from paintings by Reni. The relief on the altar of the four evangelist symbols is by François Duquesnoy, and two marble lions are by Giuliano Finelli. The sacristy was built in 1626 using designs of Ferdinando Sanfelice. The crypt was frescoed by Belisario Corenzio.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.