San Domenico Maggiore is a Gothic church and monastery, founded by the friars of the Dominican Order. The church incorporates a smaller, original church built on this site in the 10th century, San Michele Arcangelo a Morfisa.
Charles II of Naples began the rebuilding that produced the gothic structure that comprises the present church. The work was done between 1283 and 1324, but the church has undergone modifications over the centuries, including one in 1670 that recast some of the decoration in a Baroque style. In the 19th century, however, the church was restored to its original Gothic design.
The monastery annexed to the church has been the home of prominent names in the history of religion and philosophy. It was the original seat of the University of Naples, where Thomas Aquinas, a former member of the Dominican community there, returned to teach theology in 1272.
Artistically, the most notable feature are the frescoes by Pietro Cavallini in the Brancaccio Chapel (1309), depicting Stories of St. John the Evangelist, Crucifixion, Stories of Magdalene and the Apostles Peter, Paul and Andrew.
The sacristy houses a series of 45 sepulchres of members of the royal Aragonese family, including that of King Ferdinand I. The remains of the Blessed Raymond of Capua, a former Master General of the Dominican Order, also rest there.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.