The Cappella Sansevero contains works of art by some of the leading Italian artists of the 18th century.
Its origin dates to 1590 when John Francesco di Sangro, Duke of Torremaggiore, after recovering from a serious illness, had a private chapel built in what were then the gardens of the nearby Sansevero family residence, the Palazzo Sansevero. The building was converted into a family burial chapel by Alessandro di Sangro in 1613 (as inscribed on the marble plinth over the entrance to the chapel). Definitive form was given to the chapel by Raimondo di Sangro, Prince of Sansevero, who also included Masonic symbols in its reconstruction. Until 1888 a passageway connected the Sansevero palace with the chapel.
The chapel houses almost thirty works of art, among which are three idiosyncratic sculptures. These statues are emblematic of the love of decoration in late-Baroque, and are made of a marble-like substance that, in whole or in part, was invented by Raimondo. Raimondo also participated in the design of the works of art in the chapel. The Veiled Truth (Pudizia, also called Modesty or Chastity) was completed by Antonio Corradini in 1750 as a tomb monument dedicated to Cecilia Gaetani dell'Aquila d'Aragona, mother of Raimondo. A Christ Veiled under a Shroud (also called Veiled Christ), shows the influence of the veiled Modesty, and was completed in 1753 by Giuseppe Sanmartino. The Release from Deception (Disinganno) by Francesco Queirolo of Genoa serves as a monument to Raimondo's father.
References:The Walls of Constantinople are a series of defensive stone walls that have surrounded and protected the city of Constantinople (today Istanbul) since its founding as the new capital of the Roman Empire by Constantine the Great. With numerous additions and modifications during their history, they were the last great fortification system of antiquity, and one of the most complex and elaborate systems ever built. They were also the largest and strongest fortification in both the ancient and medieval world.
Initially built by Constantine the Great, the walls surrounded the new city on all sides, protecting it against attack from both sea and land. As the city grew, the famous double line of the Theodosian Walls was built in the 5th century. Although the other sections of the walls were less elaborate, they were, when well-manned, almost impregnable for any medieval besieger.