San Francesco di Paola church is located at the west side of Piazza del Plebiscito, the city's main square. In the early 19th century, King Joachim Murat of Naples (Napoleon's brother-in-law) planned the entire square and the large building with the colonnades as a tribute to the emperor. When Napoleon was finally dispatched, the Bourbons were restored to the throne of Naples. Ferdinand I continued the construction - finished in 1816 - but converted the final product into the church one sees today. He dedicated it to Saint Francis of Paola, who had stayed in a monastery on this site in the 16th century.
The church is reminiscent of the Pantheon in Rome. The façade is fronted by a portico resting on six columns and two Ionic pillars. Inside, the church is circular with two side chapels. The dome is 53 metres high.
The interior has a number of statues: a San Giovanni Crisostomo by Gennaro Calì, Sant'Ambrogio by Tito Angelini, St Luke by Antonio Calì, a St Matthew by Carlo Finelli, a St John Evangelist by Pietro Tenerani, St Mark by Giuseppe de Fabris, a Sant'Agostino by Tommaso Arnaud, and a Sant'Attanasio by Angelo Solani.
In the chapels on the right, there are the following altarpieces: San Nicola da Tolentino and St Francis of Paola receives a stem of charity from an Angel, by Nicola Carta, Final Communion of San Ferdinando di Castiglia by Pietro Benvenuti, a Transit di St Joseph by Camillo Gerra, the Immaculate Conception and the death of Sant'Andrea Avellino by Tommaso de Vivo.
Before the main altar, is a 1641 work by Anselmo Cangiano, transferred here in 1835, from the church of the Santi Apostoli. In the apse is a painting of St Francis of Paola resuscitates a dead man by Vincenzo Camuccini. In the sacristy is an Immaculate Conception by Gaspare Landi and a Circumcision of Jesus by Antonio Campi.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.