A church at the site of current San Giovanni Maggiore Basilica was likely erected sometime in the 4th century. There are a number of founding legends for the church. One is that emperor Constantine Ifounded the church in gratitude for the rescue of his daughter Costanza from a shipwreck. It may have been built or introduced into a pre-existing pagan temple dedicated to the cult of Hercules or Hadrian. One of the stones in the architrave is dated to 324. The church underwent numerous reconstructions, including in the 6th century. It was likely made into a Byzantine-style basilica during the era of Belisarius.
After an earthquake in 1635, the last reconstruction in 1656 led to the Baroque building by Dionisio Lazzari seen today. He designed the present cupola, completed in 1685. Further earthquakes in 1732 and 1805 required more reconstructions.
The 1870 earthquake devastated the church and knocked down the roof. For the restoration, Gennaro Aspreno Galante was unable reconstruct the former details. Almost razed in 1872, the local canon Giuseppe Perrella commissioned a neoclassical reconstruction, completed in 1887, from engineer George Tomlinson, with help by Errico Alvino and Federico Travaglini. A hundred years later, the roof again caved down, closing the church again for 42 years, until a restoration in 1978 unveiled the early-Christian apse, below the wooden choir dating from the 17th century. The church was long closed for restoration and architectural studies.
The imposing main altar, damaged over the years, was built in 1743 by Domenico Antonio Vaccaro. Behind the apse is visible the ancient church apse.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.