The Ulster Museum, located in the Botanic Gardens in Belfast, has around 8,000 square metres of public display space, featuring material from the collections of fine art and applied art, archaeology, ethnography, treasures from the Spanish Armada, local history, numismatics, industrial archaeology, botany, zoology and geology. It is the largest museum in Northern Ireland.
The Ulster Museum was founded as the Belfast Natural History Society in 1821 and began exhibiting in 1833. It has included an art gallery since 1890. Originally called the Belfast Municipal Museum and Art Gallery, in 1929, it moved to its present location in Stranmillis. The new building was designed by James Cumming Wynne.
The museum contains significant finds from Northern Ireland, although in earlier periods these were often sent to the British Museum or later Dublin, as with the Broighter Hoard, now in the National Museum of Ireland. Objects in the museum include the Malone Hoard of 19 polished Neolithic axe heads, the Moss-side Hoard of Mesolithic stone tools, the important Downpatrick Hoard of Bronze Age gold jewellery, part of the Late Roman Coleraine Hoard, the Viking Shanmullagh Hoard, and the medieval coins in the Armagh City Hoard and Armagh Castle Street Hoard.
There are other significant objects of the Bronze Age gold jewellery for which Ireland is notable, including four of the 100-odd surviving gold lunulae, and some important early Celtic art, including a decorated bronze shield found in the River Shannon, and the Bann Disk, bronze with triskele decoration.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.