The history of Sturehof manor date from the Middle Ages. The small village was owned by count and stateman Svante Sture, who was murdered by King Erik XIV. His son Mauritz Sture named the manor as Sturehof. In the next to centuries Sturehov was owned by several powerful noble families like Oxenstiernas and Wrangels.
Johan Liljencrantz , Gustav III's "Finance minister", acquired the property in 1778 as a summer lodge. The farmhouse was burnt and only the two wings from the 1600s was still standing. He let the architect Carl Fredrik Adelcrantz draw a new main building. Adelcrantz was at that time a very famous architect who designed also the Gustav III's opera house in Stockholm. The English garden was built in the 1700s to the north of the manor.
The main building was furnished and decorated by contemporary skilled craftsman and decorative painters, among them Louis Masreliez . As co-owner of Marie porcelain factory had Liljencrantz opportunity to gain Marieberg stoves to their new building. Therefore Sturehov has today the largest collection Marieberg stoves in Sweden, a total of 17 pieces. The most magnificent is "Liljecrantz fireplace”, also drawn to a Swedish stamp. Johan Liljencrantz did not stay long at Sturehov. After his first wife died in 1788 he built Norsborgs mansion and lived there with his new wife, Eleonora.
Today the manor is managed by the Real Estate Department of the municipality. There is a café in the south wing.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.