Gelati is a medieval monastic complex near Kutaisi. A masterpiece of the Georgian Golden Age, Gelati is recognized by UNESCO as a World Heritage Site.
The Gelati Monastery was built in 1106 by King David IV of Georgia. It was constructed during the Byzantine empire, during which christianity was the ruling religion throughout the empire. The main church was completed in 1130 in the reign of his son and successor Demetré. Further churches were added to the monastery throughout the 13th and early 14th centuries. The monastery is richly decorated with mural paintings from the 12th to 17th centuries, as well as a 12th century mosaic in the apse of the main church, depicting the Virgin with Child flanked by archangels. Its high architectural quality, outstanding decoration, size, and clear spatial quality combine to offer a vivid expression of the artistic idiom of the architecture of the Georgian “Golden Age” and its almost completely intact surroundings allow an understanding of the intended fusion between architecture and landscape.
Gelati was not simply a monastery: it was also a centre of science and education, and the Academy established there was one of the most important centres of culture in ancient Georgia. King David gathered eminent intellectuals to his Academy such as Johannes Petritzi, a Neo-Platonic philosopher best known for his translations of Proclus, and Arsen Ikaltoeli, a learned monk, whose translations of doctrinal and polemical works were compiled into his Dogmatikon, or book of teachings, influenced by Aristotelianism. Gelati also had a scriptorium were monastic scribes copied manuscripts (although its location is not known). Among several books created there, the best known is an amply illuminated 12th century gospel, housed in the National Centre of Manuscripts.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.