The Katskhi Monastery of Nativity of the Savior was built at the behest of the Baguashi family in the period of 988–1014. The church building is noted for a hexagonal design and rich ornamentation. Closed down by the Soviet government in 1924, the monastery was revived in 1990 and is now operated by the Eparchy of Sachkhere and Chiatura of the Georgian Orthodox Church.
The Katskhi monastery is a octagonal building of more complex design than other similar polygonal Georgian monuments. The exterior of the church features three gradually narrowing cylindrical levels formed by the faceted gallery, the main body of the church, and the drum of the dome.
The six apses are inscribed into the outer polyhedron and surrounded by an ambulatory from all sides. A single spacious interior compartment around the subdome bay includes radially oriented semi-circular apses. One of these, the altar apse, projects outward prominently due to its large bema. The drum of the dome is also faceted. Each facet of the main body of the church as well as that of the dome and gallery terminate in a pediment with three lines of polygonal cornices.
The building was richly ornated, but the decoration of two upper tiers was lost in the process of the 1854 restoration. Of note is a large composition in relief at the southern vestibule of the gallery, the Exaltation of the Holy Cross, featuring a cross supported by four angels.
The church is surrounded by a pentagonal wall, which contains a free-standing bell tower in its eastern corner. These structures are later additions, probably from the 17th or 18th century.
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Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.