The Shemokmedi Monastery was founded in the 15th century as a seat of one of the three bishoprics of the Principality of Guria, the other two being Jumati and Khino. At the same time, the monastery served as a burial ground to the Gurieli princely dynasty. The surviving tombs belong to Rostom Gurieli (died 1564) and Mamia III Gurieli (died 1714).
After the death of Metropolitan Bishop Ioseb Takaishvili in 1794, the Shemokmedi sea became dormant; the bishop of Jumati became a titular Shemokmedeli, while the monastery and its possessions passed to Kaikhosro Gurieli, an influential member of the ruling dynasty of Guria, who eventually lost his estates for leading an insurrection against the Russian Empire in 1820. During the conflict, Shemokmedi was stormed by the Russian troops, its fortifications were demolished and environs devastated.
The Shemokmedi monastery was reinstated as a bishopric see, uniting the parishes of Batumi and Shemokmedi, in 1920. The Shemokmedi Diocese was as a separate eparchy was re-established in 1995.
The Shemokmedi monastery consists of two architecturally simple churches—those of the Redeemer and the Transfiguration otherwise known as Zarzma. The third structure, a bell tower, is built upon the fence of the monastery. This complex is located on a small hill on the left bank of the Bzhuzhi river, overlooking the village of Shemokmedi.
The church of the Redeemer is a three-nave basilica with the dimensions of 10 × 13 m. It is an ashlar structure, lined with bluestone, and with a white marble floor. An ornate curving follows the contour of a window on the western façade. The interior was once entirely frescoed. The surviving fragments depict Mamia II Gurieli (died 1627), Prince of Guria, and his wife Tinatin, with respective identifying inscriptions in Georgian.
The church of the Transfiguration was constructed at the behest of Prince Vakhtang I Gurieli in the late 1570s to house the venerated 9th-century Icon of the Transfiguration of Jesus rescued from the Zarzma Monastery in the Ottoman-occupied Principality of Samtskhe; hence comes the other name of the church, 'Zarzma'. This church is smaller than that of the Redeemer, with the dimensions of 9 × 7 m. it is a single-nave design crowned with an octagonal dome. The edifice is lined with brick and ashlar. Fragments of Georgian and Greek inscriptions as well as fresco depiction of the first bishop of Shemokmedi, Besarion Machutadze, survive on walls. A bell-tower built upon the church fence was originally constructed in the 16th century and renovated in 1831. All structures of the complex bare traces of multiple reconstructions.
Over centuries, the Shemokmedi cathedral became a safe-house of ecclesiastic treasures and accumulated a large collection of various religious objects and manuscripts from other churches and monasteries of Georgia. In 1873, the church was visited and the first scholarly description of its collection was compiled by Dimitri Bakradze. Subsequently, the monastery was subjected to a series of robberies. The surviving treasures were catalogued by Nikodim Kondakov on his visit to the monastery in 1889. Since 1924, most of the extant items have been in the collections of the Georgian National Museum.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.