Pelișor Palace was built in 1899–1902 by order of King Carol I, as the residence for his nephew and heir, the future King Ferdinand (son of Carol's brother Leopold von Hohenzollern) and Ferdinand's consort Queen Marie.
In 2006, it was decided that the entire complex, including Pelișor, long a museum and tourist site, is the legal property of the King Michael I of Romania. The royal family was to assume legal possession of it and lease it to the Romanian state, so that it will remain in its current status. The main castle of Peleș is already under lease, but negotiations for other villas and chateaus are ongoing. King Michael I of Romania maintained that Pelișor would remain a private residence for the royal family.
Pelișor was designed by the Czech architect Karel Liman in the Art Nouveau style; the furniture and the interior decorations were designed mostly by the Viennese Bernhard Ludwig. There are several chambers, working cabinets, a chapel, and 'the golden room'. Queen Marie herself, an accomplished artist, made many of the artistic decisions about the design of the palace, and participated in its decoration, including as a painter. Queen Marie considered Art Nouveau a weapon against sterile historicism, creating a personal style combining Art-Nouveau elements with Byzantine and Celtic elements.
Pelișor Castle hosts today a museum.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.