The Verudela Fortress is one of the best preserved fortresses. When its control over Pula commenced, the Austro-Hungarian Monarchy decided to transform the town into the Monarchy's maritime centre, which meant the construction of not only numerous newly-built structures such as the arsenal, hospital or the Hydrographic Institute, but also its defensive system. Thus, a magnificent fortification system was erected, which included not only Pula but also some of its neighbouring villages such as Medulin or Fažana.
In the period from 1881 until 1918, 31 structure was erected along the area of Pula and its near surrounding, including artillery batteries and other necessary structures. The Punta Christo fortress, which is the biggest Austro-Hungarian fortress, was built in Štinjan, on the namesake Kristo peninsula. Erected in the late 19th century, it spread across more than ten thousand square meters and had as many as 270 rooms.
The fortress had an excellent geographic position with a view of the entrance into the Pula Bay and the jetty from one, and of Muzil and the Brijuni islands from the other sea side. A trench was dug up around it, separating it, while the passage was possible only through one of the three entrances.
The interior yards of the Punta Christo fortress provide the access to its underground premises. The fortress was abandoned after the WW2. Having been neglected, abandoned and dilapidated for a number of years, it was finally cleared. Today it is used as a site for organizing concerts, exhibitions, and other cultural events.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.