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Motovun (Montona) is a medieval town that grew up on the site of an ancient city called Castellieri. It is situated on a hill 270 metres above sea level with houses scattered all over the hill. On the inner walls are several coats-of-arms of different Motovun ruling families and two gravestones of Roman inhabitants (dating from the 1st century).
In the 10th and 11th centuries it belonged to the Bishop of Parenzo/Poreč. From 1278 it was taken over by Venice and surrounded by solid walls which are still intact today, and used as a walkway with unique views over the four corners of Istria. All three parts of the town are connected by a system of internal and external fortifications with towers and city gates containing elements of Romanesque, Gothic and Renaissance styles, built between the 14th and 17th centuries. It is a typical example of Venetian colonial architecture.
The late-Renaissance church of St. Stephen was built right at the beginning of the 17th century according to sketches probably designed by the well-known Venetian architect Andrea Palladio (1508–1580). The church contains several works of art: the marble statues of St. Stephen and St. Laurence by Francesco Bonazzo and the 17th-century painting of the Last Supper over the altar by an unknown Venetian artist. The water cisterns in the square in front of the church date from the 14th and 15th centuries.
Motovun is one of the most visited places in Croatia. It offers a view over the hills and vineyards with a tradition of very good wine and food.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.