The Krujë castle was the center of Skanderbeg's rebellion against the Ottoman Empire. During the Albanian Revolt of 1432-1436 the city was unsuccessfully besieged by Andrea Thopia and Ottoman rule was restored. After Skanderbeg's rebellion in 1443 the castle withstood three massive sieges from the Turks respectively in 1450, 1466 and 1467 with garrisons usually no larger than 2,000-3,000 men under Skanderbeg's command. Mehmed II 'The Conqueror' himself could not break the castle's small defenses until 1478, 10 years after the death of Skanderbeg. Today it is a center of tourism in Albania, and a source of inspiration to Albanians.
Inside the castle is the Teqe of Dollme of the Bektashi (an Islamic Sufi sect), the National Skanderbeg Museum, the remains of the Fatih Sultan Mehmed mosque and its minaret, an ethnographic museum and a Turkish bath.
Another attraction for tourists is the Ethnographic Museum, located in the south side of Kruje Castle. This museum is designed based on a typical house of 19th century. It reveals the sustainable methods of tools, food, drink and furniture production in a typical household. There are also objects and old wood and metal supplies that represent the lifestyle back then in the castle.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.