Kratul was an Illyrian settlement and fortification located in the territories of the Illyrian tribe of Labeates. The archaeological material indicates that life at the settlement was active from the early Iron Age (beginning of 1st millennium BC) until the 1st century AD.
Kratul fortification represents a good example that sheds light on the typology of military architecture among Illyrians. The fortification wall encloses an elliptical shape area (which is uncommon among other fortifications but adopts well to the terrain) and covers about 0.5 ha. The wall was built using large blocks on both curtains, while the core is filled with smaller stones. The blocks are unworked and no mortar has been used. The walls' width goes up to 3.35 m while the height is 2.55 m. Three gates which served for communication have been identified. Two of them are across each other respectively on the north and south side, while the third one is on the east side. From a typological point of view the Kratul fortification is similar to that of Gajtan, although there are substantial changes in plan such as towers and the regular elliptic shape, which make it an interesting site. So far, there have been no trace of houses found inside the settlement.
The Kratul fortification ruins are situated on the hill with the same name, at an altitude of 143 metres above sea level. They lie over the nowadays village of Boks, part of the municipal unit of Postribë. On the plain south of the village's outskirts, near the left banks of Kir river, are located 160 tumuli of Shtoj, which date back to the early Bronze Age.
References:The Roman Theatre of Mérida is a construction promoted by the consul Vipsanius Agrippa in the Roman city of Emerita Augusta, capital of Lusitania (current Mérida). It was constructed in the years 16 to 15 BCE. One of the most famous and visited landmarks in Spain, the Roman Theatre of Mérida is regarded as a Spanish cultural icon and was chosen as one of the 12 Treasures of Spain.
The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre"s abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible.