The Church of Saint Nicholas, former Selimije Mosque, is a ruined historic church and mosque where the remains of Skanderbeg are said to be preserved in Lezhë, Albania. It is now used as Skanderbeg's Mausoleum.
Originally, the building was a church, named after Saint Nicholas. Until this day, a fresco of the saint is still present in the remains of the church, although heavily damaged. The Church was located in the interior part of a Illyrian City which was later reconstructed by the Romans, in the 1st century BC. Evidence for this is the 'Gaviarius' Stone in front of the entrance, which was unearthed during the Archaeological Excavations in 1975-1980 by Frano Prendi and Koço Zheku.
When the Ottomans conquered Albania, they plundered the church and turned it into a mosque, by adding a dikka, a mihrab and a large minaret. The mosque was named after the OttomanSultan Selim I. The trouble that Skanderbeg caused to the Ottoman Empire's military forces was such that when the Ottomans found the grave of Skanderbeg in the St. Nicolas they opened it and made amulets of his bones, believing that these would confer bravery on the wearer. The St. Nicolas' Church was rebuilt by the Ottomans elsewhere in return as a gesture of tolerance towards Christians.
The Selimiye mosque was one of the last buildings from the Middle Ages in Lezhë and did not survive during the dictatorship of Enver Hoxha, who destroyed all mosques in Lezhë. The minaret of the Selimie mosque was torn down. In 1981, the Skanderbeg Mausoleum opened here.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.