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The Church of the Dormition of the Theotokos is one of the most representative examples of Byzantine architecture in Albania. The foundation of the church dates back to 6th century at the reign of Byzantine Emperor Justinian (527–565 AD). Justinian erected the church in memory of his mother. The present building dates from the 10th century or – according to another source – 13th century, during the time of the Despotate of Epirus.
The church retained a fragment of the True Cross due to a donation by the Byzantine Emperor. According to another tradition, the Byzantine Emperor donated the miracle-working icon of the Virgin, known as Labovitissa. Until 1967, it was a pilgrimage destination for the surrounding Christian communities. Each year on the day of the Dorminition of the Theotokos a procession of the Holy Cross fragment with the Labovitissa icon took place to the adjacent villages. In 1967, religious activities were forbidden by the atheistic policies of the People's Republic of Albania. Recently a number of initiatives to revive such festivities had limited results. The relic was lost in 1989. According to claims in the Albanian press it was stolen by the daughter of Enver Hohxa former head of the People's Republic of Albania.
The church shares a number of typical features of 9th–11th century Byzantine architecture. The connection of the central aisle to the subsidiary aisles as well as the narthex is ensured through a triple passage (tribilon).
Several architectural elements found at the exterior of the building, such as the dome, the windows and the combination of brick- and stonework, are influenced from contemporary Byzantine churches in western Macedonia. The 10th century dome is the oldest example of circular dome found in the region of Epirus, probably an evolution of the older octagonical style. The fishbone pattern of the exterior is also found in a number of contemporary church buildings in Epirus, western Macedonia and Lakonia, in Greece, although not a quite common feature in Byzantine architecture in general.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.