The Cathedral of Málaga is in the Renaissance architectural tradition. The cathedral is located within the limits defined by a now missing portion of the medieval Moorish walls, the remains of which surround the nearby Alcazaba and the Castle of Gibralfaro. It was constructed between 1528 and 1782, following the plans drawn by Diego de Siloe in Renaissance style.
The cathedral, built on a rectangular plan, is composed of a nave and two aisles, the former being wider, though having the same height as the aisles. The choir stalls are the work of Pedro de Mena.
The façade, unlike the rest of the building, is in Baroque style and is divided into two levels; on the lower level are three arches, inside of which are portals separated by marble columns. Above the doors are medallions carved in stone; those of the lateral doors represent the patron saints of Málaga, Saint Cyriacus and Saint Paula, while that over the centre represents the Annunciation.
The north tower is 84 metres high, making this building the second-highest cathedral in Andalusia, after the Giralda of Seville. The south tower remains unfinished.
A series of grand artworks fills the sanctuary, among them are the Gothic altarpiece of the Chapel of Santa Barbara and the 16th century tombs of the Chapel of San Francisco. The Chapel of the Incarnation contains a neoclassic altarpiece (1785) designed by the sculptor Juan de Villanueva and carved by Antonio Ramos and Aldehuela, a group of figures representing the Annunciation and sculptures of the patron saints of Malaga, Saint Ciriaco and Saint Paula, carved by Juan Salazar Palomino also in the 18th century, and The Beheading of Saint Paul, painted by Enrique Simonet in 1887 during his stay in Rome.
References:Visby Cathedral (also known as St. Mary’s Church) is the only survived medieval church in Visby. It was originally built for German merchants and inaugurated in 1225. Around the year 1350 the church was enlarged and converted into a basilica. The two-storey magazine was also added then above the nave as a warehouse for merchants.
Following the Reformation, the church was transformed into a parish church for the town of Visby. All other churches were abandoned. Shortly after the Reformation, in 1572, Gotland was made into its own Diocese, and the church designated its cathedral.
There is not much left of the original interior. The font is made of local red marble in the 13th century. The pulpit was made in Lübeck in 1684. There are 400 graves under the church floor.