The Palacio de Generalife was the summer palace and country estate of the Nasrid rulers of the Emirate of Granada. The palace and gardens were built during the reign of Muhammed II (1273-1302), Sultan of Granada, and later by Muhammed III (1302–1309). They were redecorated shortly after by Abu I-Walid Isma'il (1313–1324). Much of the garden is a recent reconstruction of dubious authenticity.
The complex consists of the Patio de la Acequia (Court of the Water Channel or Water-Garden Courtyard), which has a long pool framed by flowerbeds, fountains, colonnades and pavilions, and the Jardím de la Sultana (Sultana's Garden or Courtyard of the Cypress). The former is thought to best preserve the style of the medieval Persian garden in Al-Andalus.
Originally the palace was linked to the Alhambra by a covered walkway across the ravine that now divides them. The Generalife is one of the oldest surviving Moorish gardens.
The present-day gardens were started in 1931 and completed by Francisco Prieto Moreno in 1951. The walkways are paved in traditional Granadian style with a mosaic of pebbles: white ones from the River Darro and black ones from the River Genil.
The Generalife is a UNESCO World Heritage Site in Granada, along with the Alhambra palace and gardens, and the Albayzín district.
References:The Roman Theatre of Mérida is a construction promoted by the consul Vipsanius Agrippa in the Roman city of Emerita Augusta, capital of Lusitania (current Mérida). It was constructed in the years 16 to 15 BCE. One of the most famous and visited landmarks in Spain, the Roman Theatre of Mérida is regarded as a Spanish cultural icon and was chosen as one of the 12 Treasures of Spain.
The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre"s abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible.