The Friary of La Rábida (Convento de Santa María de la Rábida) is a Franciscan friary in Palos de la Frontera. It was founded in 1261; the evidence is a papal bull issued by Pope Benedict XIII in that year, allowing Friar Juan Rodríguez and his companions to establish a community on the coast of Andalucia. The first Christian building on the site was constructed over a small pre-existing Almohad building that lends its name (rábida or rápita, meaning 'watchtower' in Arabic) to the present monastery. The Franciscans have held great influence in the region ever since.
The buildings standing on the site today were erected in stages in the late fourteenth century and the early fifteenth century. The friary, and the church associated with it, display elements of Gothic and Moorish revival architecture; their walls are decorated with frescos by the twentieth-century Spanish artist, Daniel Vázquez Diaz (1882-1969). There is also a cloister and a museum, where numerous relics of the discovery of the Americas are displayed.
The buildings on the site have nearly 1,858 m2 of floor space and an irregular floor plan. Throughout its five hundred years of existence, the monastery has been refurbished and repaired countless times, but the most extensive modifications were undertaken as a result of damage from the Lisbon earthquake of 1755.
Christopher Columbus stayed at the friary two years before his famous first voyage, after learning that King Ferdinand and Queen Isabella had rejected his request for outfitting an expedition in search of the Indies. With the intervention of the guardian of La Rábida and the confessor to Isabella, Francisco Jiménez de Cisneros, he was able to have his proposal heard.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.