The Plaza de toros de la Real Maestranza de Caballería de Sevilla is a 12,000-capacity bullring in Seville, Spain. During the annual Seville Fair in Seville, it is the site of one of the most well-known bullfighting festivals in the world. It is a part of the Real Maestranza de Caballería de Sevilla, a noble guild established for traditional cavalry training.
Construction began in 1749 of a circular ring on Baratillo Hill to replace the rectangular bullring that was previously located there. In 1761, the construction began to incorporate ochavas (each ochava being equivalent to four arches). The inner facade of the plaza (Palco del Príncipe) was completed in 1765. This 'box' consists of two parts: the access gate through which the successful bullfighters exit, and the theater box itself, which is reserved for the exclusive use of the Spanish Royal Family. The topmost part is composed of four arches over which is built a half-orange vault, whose topmost portion is covered by white and blue tiles. The sculptural group that concludes the composition is the work of the Portuguese sculptor Cayetano de Acosta. The Palco was built for the Infante de España, Felipe de Borbón, son of Felipe V and Isabel de Farnesio.
When Carlos III prohibited bullfighting celebrations in 1786, work on the sculptures was halted, even though only one-third of the plaza had been completed at the time.
After 34 years the cover of the launching slips of half of the ring was finished, to the left and right of the Palco del Príncipe; being easily viewed from the cathedral and the Giralda it was reflected in a great number of stamps of the time. By 1868 the Palco de la Diputación was in such a lamentable state that Italian sculptor Augusto Franchy undertook the improvement himself, building a new area with a marble balustrade and the crest of the Real Maestranza de Caballería. The construction of five balconies to each side of the Palco de la Diputación was also added where the ring's clock is currently situated. The construction of the ring was completed in 1881; two thirds was constructed in stone, with the remainder in wood.
Between 1914 and 1915 the stone grandstands were redone in brick under the direction of Sevillian architect Aníbal González. All the rows were reconstructed with a smoother slope. Ten to twelve rows of shaded seating were constructed as well as fourteen rows in the sun and three rows of barrier. A row of armchairs were built in the superior part of the shaded area, in front of the theater boxes.
References:The Clementinum is a historic complex of buildings in Prague. Until recently the complex hosted the National, University and Technical libraries, the City Library also being located nearby on Mariánské Náměstí. The Technical library and the Municipal library have moved to the Prague National Technical Library at Technická 6 since 2009. It is currently in use as the National Library of the Czech Republic.
Its history dates from the existence of a chapel dedicated to Saint Clement in the 11th century. A Dominican monastery was founded in the medieval period, which was transformed in 1556 to a Jesuit college. In 1622 the Jesuits transferred the library of Charles University to the Klementinum, and the college was merged with the University in 1654. The Jesuits remained until 1773, when the Klementinum was established as an observatory, library, and university by the Empress Maria Theresa of Austria.