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Ismael martin diaz (4 years ago)
The Casa consistorial de Sevilla is a Plateresque-style building in Plaza Nueva, currently home of the city's government.
The work begin under architect Diego de Riaño, who directed the work between 1527 and his death in 1534. He was commissioned to construct a stone building, durable and with a façade to the Plaza Mayor in front of the convent of San Francisco. He executed what is now the southern section of the City Hall, including the arch that had communicated with the Franciscan monastery and two wings covered with Plateresque reliefs with representations of historical and mythical characters, heraldic symbols and emblems alluding to the founders of the city.
In the 19th century, after the demolition of the convent of San Francisco, a important expansion, executed by Demetrio de los Ríos and Balbino Marrón, created a new, Neoclassical façade oriented to the Plaza Nueva. On the opposite side, facing the Plaza de San Francisco, the north wing of the old building became the south wing of symmetrical tripartite façade as the building was expanded to the north. Plateresque carving was extended partway across the new façade in an attempt to match the style of the old building, but it was never completed. Given its status as a Bien de Interés Cultural, it is unlikely to ever be finished due to the restrictions placed on the remodelling of such buildings. The architects also reorganized the interior around two courtyards and a grand staircase.
The building has a large façade divided into five modules, decorated by Plateresque reliefs; these include grotesque motifs inspired by Italian Florentine architecture, heraldry symbols, allegories of Justice and Good Government and depictions of mythological or historical characters such as Hercules, Julius Caesar and Charles V.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.