Seville has many enclosed religious complexes, but few are accessible. This is one of them, a convent set up in 1475 and still home to 40 nuns. The public is welcome to enter through two different doors in the Calle Santa Paula. Knock on the brown one, marked number 11 to look at the convent museum. Steps lead to two galleries, crammed with religious paintings and artifacts. The windows of the second look onto the nuns' cloister. The nuns make a phenomenal range of marmalades and jams which visitors may purchase in a room near the exit.
Ring the bell by the brick doorway nearby to visit the convent church, reached by crossing a meditative garden. Its portal vividly combines Gothic arches, Mudejar brickwork, Renaissance medallion and ceramics by the Italian artist, Niculoso Pisano. Inside the nave has an elaborate wooden roof and there are some fine statues here of St John the Evangelist and St John the Baptist.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.