Seville has many enclosed religious complexes, but few are accessible. This is one of them, a convent set up in 1475 and still home to 40 nuns. The public is welcome to enter through two different doors in the Calle Santa Paula. Knock on the brown one, marked number 11 to look at the convent museum. Steps lead to two galleries, crammed with religious paintings and artifacts. The windows of the second look onto the nuns' cloister. The nuns make a phenomenal range of marmalades and jams which visitors may purchase in a room near the exit.
Ring the bell by the brick doorway nearby to visit the convent church, reached by crossing a meditative garden. Its portal vividly combines Gothic arches, Mudejar brickwork, Renaissance medallion and ceramics by the Italian artist, Niculoso Pisano. Inside the nave has an elaborate wooden roof and there are some fine statues here of St John the Evangelist and St John the Baptist.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.