Located in Santiponce, the Monasterio de San Isidoro del Campo was founded somewhere near the Roman ruins of Itálica, by Alfonso Pérez de Guzmán and María Coronel Alonso in 1301, where according to tradition San Isidoro de Sevilla had been buried. His remains were discovered and moved to León in 1063.
Since its foundation, the monastery has been under the spiritual and temporary administration of different religious orders. In 1432 the Hieronymites of the Order of Saint Jerome significantly reformed the monastery which is reflected in the concept of monastic life and in the decoration.
In this unique fortress-monastery, with a double church, the Gothic style is juxtaposed with clear Languedoc and Mudejar influences, where the Almohad tradition is clearly visible. Unlike Cistercian austerity, the Hieronymite monastery is decorated with murals that make up what is possibly one of the most outstanding ensembles in Spain.
The monastery was extended and became richer over the centuries, eventually having a tower, a belfry, five cloisters and, next to the monastic quarters, the attorney general's quarters, a hostelry and the farming facilities expected of an institution aspiring to self-sufficiency.
During the Baroque, period, this medieval establishment was transformed with altarpieces (the two by Martínez Montañés on public display are worthy of special mention), stalls, new murals and plaster vaults.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.