Cádiz Cathedral built between 1722 and 1838. The Plaza de la Catedral houses both the Cathedral and the Baroque Santiago church, built in 1635.
The church was known as 'The Cathedral of The Americas' because it was built with money from the trade between Spain and America. The 18th century was a golden age for Cádiz, and the other cathedral that the city had got, Santa Cruz, was very small for this new moment of Cádiz. The new cathedral was built from 1722 to 1838. The first person who designed the church was architect Vicente Acero, who had also built the Granada Cathedral. Acero left the project and was succeeded by several other architects. As a result, this largely baroque-style cathedral was built over a period of 116 years, and, due to this drawn-out period of construction, the cathedral underwent several major changes to its original design. Though the cathedral was originally intended to be a baroque edifice, it contains rococo elements, and was finally completed in the neoclassical style. Its chapels have many paintings and relics from the old cathedral and monasteries from throughout Spain.
In the crypt are buried the composer Manuel de Falla and the poet and playwright José María Pemán, both born in Cádiz.
Levante Tower, one of the towers of Cádiz Cathedral, is open to the public and shows panoramas of the city from on high.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.