The Chapel of San Bartolomé is a funerary chapel in the historic centre of Córdoba. It is dated between 1390 and 1410. Richly decorated, it is one of the city's finest examples of Mudéjar art.
Located on the Calle Averroes in today's Faculty of Arts building, the relatively unknown chapel is one of the city's most notable monuments. With the development of the Alcázar Viejo district in 1391 and the later expulsion of the Jews from La Judería, the parish of San Bartolomé was established while a church of the same name was constructed between 1399 and 1410. The little building continued to operate as a parish church until the 17th century, possibly awaiting completion of a larger church.
Rectangular in shape, the area is divided into two sections, one for the chapel itself, the other for a courtyard. Built of rusticated sandstone, the chapel has a rectangular floor measuring 9m by 5m. The chancel is slightly higher than the remainder of the building. There are two doors, one through a porch opening into a courtyard on Calle Averroes, the second, strangely locked from the outside, providing access into a side chapel which may have been connected to a sacristy in another building.
The entrance from the courtyard has a pointed arch with a few simple decorations while the other entrance, also pointed, has zigzag or sawtooth decorations. Two small columns bearing Islamic decorations with scrolls and leaves support the elegantly rib-vaulted ceiling. The interior walls are richly decorated with yeseria plasterwork and tiling while the floor is also decorated with alternating tiles. The wall decorations combine depictions of plants, geometric patterns and heraldry. The coats of arms belong to the Knights of the Band, an order created by King Alfonso XI. Inscriptions are in both Kufic and Naskh scripts.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.