Castello Brown is a house museum located high above the harbour of Portofino. The castle's site is well suited for harbour defence, and appears to have been so used since the 15th century. According to the Record Office of Genoa, cannon batteries were constructed on the site in the early 16th century, and military engineer Giovanni Maria Olgiati drew up plans for a full fortress circa 1554. The resultant castello was completed by 1557, and, in 1575, was instrumental in turning back an attack on the town by Giò Andrea Doria. The structure was enlarged from 1622 to 1624, and survived in this form for a century and a half. The little tower was destroyed in 1798 by an English attack during Napoleon's Ligurian Republic. The castello was abandoned after the Congress of Vienna in 1815.
In 1867, the structure was purchased for 7,000 lire by Montague Yeats-Brown, then English consul in Genoa. He engaged the architect Alfredo D'Andrade, and with advice from his artist friend and fellow-consul James Harris the fort was transformed to a comfortable villa without substantial alteration in its general form. His descendants held the property until 1949, then sold it to an English couple, Colonel and Mrs. John Baber, who restored several ruined sections, until they in turn sold it in 1961 to the City of Portofino.
Elizabeth von Arnim wrote her book The Enchanted April at the castello in 1922. The 1992 movie was also filmed there.
References:The Roman Theatre of Mérida is a construction promoted by the consul Vipsanius Agrippa in the Roman city of Emerita Augusta, capital of Lusitania (current Mérida). It was constructed in the years 16 to 15 BCE. One of the most famous and visited landmarks in Spain, the Roman Theatre of Mérida is regarded as a Spanish cultural icon and was chosen as one of the 12 Treasures of Spain.
The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre"s abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible.