The Jewish Museum of Rome is situated in the basement of the Great Synagogue of Rome and offers both information on the Jewish presence in Rome since the second century BCE and a large collection of works of art produced by the Jewish community.
Following the unification of Italy in 1870, the Jews were granted citizenship of Italy. As a result of agreement between the Jewish Community and the city authorities the Roman Ghetto was demolished towards the end of the 19th Century. The building that housed the Ghetto synagogue which, in fact, contained five synagogues representing different traditions, was torn down in 1908 but its fixed furnishings including holy arches and thrones were saved. Also, in 1875, the city embarked on an ambitious programme to build up embankments along the River Tiber to provide protection from flooding, including of the area formerly occupied by the Ghetto. The Great Synagogue was constructed in the former Ghetto area, close to the river, and was completed in 1904.
The museum was established in 1960. It was initially set up in a room behind the Torah ark of the Great Synagogue. In 1980 the staircase leading to the museum was decorated with stained glass by the artist Eva Fischer. To permit expansion the museum was moved to the basement of the Great Synagogue next to the Spanish Synagogue and officially opened in 2005. This meant replacing other facilities, such as a gym, a theatre and meeting rooms.
The art collection in the museum has largely been donated by members of the Community. It reflects the long history of Jews in Rome and, in particular, the Ghetto period (1555–1870) when all Jews from Rome and surrounding areas were forced to live in a small area. The collection includes around 900 liturgical and ceremonial textiles, illuminated parchments, around 100 marble pieces and about 400 pieces of silverwork. Also displayed are some of the many documents held in the Community’s archives.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.