The Museo delle Mura ('museum of the walls') provides an exhibition on the walls of Rome and their building techniques, as well as the opportunity to walk along the inside of one of the best-preserved stretches of the Aurelian Wall. The museum is free of charge.
The museum in its present form, was officially opened in 1990. Prior to 1939, the Porta San Sebastiano (also known as the Porta Appia) had been open to the public but it was then taken over by Ettore Muti, the Secretary of the Italian Fascist Party. White-and-black mosaics in some rooms date back to that time. From 1970, there was a small museum connected to the internal parapet of the Aurelian Wall but this museum was only open to the public on Sundays, and, after a few years, was closed.
The museum provides a detailed history of wall construction in Rome and the surrounding areas, with information going back to one constructed in Ardea to the southeast of Rome in the 8th century. It describes the construction methods of the first Roman wall, built by Servius Tullius the legendary sixth king of Rome, the second wall constructed in the 4th century BC after invasion of Rome by the Gauls, and the Aurelian Walls, constructed in the 3rd century CE, as well as subsequent work to raise the height of those walls and improve defences, and more recent additions and changes up to the 20th century. In addition to text and diagrams, some models of walls are provided.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.