The Lighthouse of Genoa (Lanterna di Genova) serves as a symbol and a landmark for Genoa. Built of masonry, at 76 m it is the world's fifth tallest lighthouse and the second tallest 'traditional' one. Between 1543 and the construction of the lighthouse on Île Vierge, France in 1902, it was the tallest lighthouse in the world. When measured as a whole with the natural rock on which it stands, as it is commonly perceived and represented, its height is 117 m, which would make it the second tallest lighthouse in the world, the tallest in Europe, and the tallest traditional lighthouse.
It is constructed in two square portions, each one capped by a terrace; the whole structure is crowned by a lantern from which the light is shone.
The tower was shelled during the bombardment of Genoa by the French in 1684; the windows which were damaged were replaced on the orders of Louis XIV in 1692. In 1778 construction began on a new lighting system designed to counteract damage done to the lighting apparatus over several centuries of use. In 1840 a rotating Fresnel lens was installed; the system was formally inaugurated in January 1841. It was modified up until the end of the century in order to increase its capability; the entire lighthouse was modernised again in 1913, but the electrification was poorly done, and had to be refitted in 1936. One last major restoration project, begun after American and British air attacks of World War II, was completed in 1956. It is also the symbol surrounding the Derby della Lanterna between two football clubs, Genoa C.F.C. and U.C. Sampdoria.
Adjacent to the tower is the Museo della Lanterna. The museum mainly covers the history of the city and the port, and contains a good deal of archival material. Some of the displays also cover the history of navigation and navigational aids in Genoa, and describe various signaling systems that have been used at sea. Part of a Fresnel lens, similar to that found in the lighthouse itself, is shown in such a manner as to display its inner workings. In addition to the permanent displays, temporary exhibits are also sometimes shown at the museum.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.