The Castello d'Albertis was the home of sea captain Enrico Alberto d'Albertis, and was donated to the city of Genoa on his death in 1932. D'Albertis designed the castle in the style of an architectural collage with a Gothic revival appearance inspired by palaces in Florence and castles of Aosta Valley. It currently houses the Museo delle Culture del Mondo (Museum of World Cultures), inaugurated in 2004.
Erected between 1886 and 1892 under the supervision of Gothic Revivalist Alfredo D'Andrade, the castle is located on the site of a 13th-century fortified area, which had been reinforced in the 16th century. Alberto not only based his design on the city's foundation, he incorporated and preserved the foundations of the bastion and one of the turrets.
The museum includes ethnographic and archaeological findings collected by both Enrico and Luigi Maria d'Albertis during their trips to Africa, America (from Canada to Tierra del Fuego), New Guinea and Oceania. There is a large number of weapons from Sudan and the Zambesi area Chinese spears and European halberds. There are several exemplars of Canadian and American plains indigenous people, made in buffalo and deer leather and covered by porcupine thorns; also findings belonging to the Maya civilization from Honduras are present.
It also exhibits models of ships and yachts, nautical instruments, photographs and the volumes of d'Albertis personal library.
A separate section dedicated to music (the Museo delle Musiche dei Popoli, 'Museum of Peoples' Music') exhibits musical instruments from the whole world.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.