The Giardini Botanici Hanbury, also known as Villa Hanbury, are major botanical gardens operated by the University of Genoa.
The gardens were established by Sir Thomas Hanbury on a small, steep peninsula jutting southwards from an altitude of 103 meters down into the Mediterranean Sea. He purchased the extant Palazzo Orengo property in 1867, and over decades created the garden with the aid of pharmacologist Daniel Hanbury (his brother), the botanist and landscape designer Ludwig Winter, and scientists including Gustav Cronemayer, Kurt Dinter, and Alwin Berger. In 1912 the Hortus Mortolensis, the catalogue of the garden, contained 5800 species, although the garden itself had more. Hanbury died in 1907, but energetic plantings and improvements resumed after World War I under the direction of his daughter-in-law Lady Dorothy Hanbury.
The gardens were severely damaged in World War II, when they became a no-man's land and in 1960 Lady Hanbury sold them to the State of Italy. Initially its care was entrusted to the International Institute of Ligurian Studies but when they withdrew for lack of adequate funds in 1983 responsibility was passed to the University of Genoa. Restoration has been gradually proceeding since 1987 and it was declared a nature preserve in 2000.
In 2006 the Ministero dei Beni e delle Attività Culturali submitted a proposal for the inclusion of the gardens on the list of UNESCO World Heritage sites.
In 2007 and 2011 Villa Hanbury was included in the list of the 10 most beautiful gardens in Italy.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.