The Bern Historical Museum is the second largest historical museum in Switzerland. It was designed by the Neuchâtel architect André Lambert and built in 1894. Since it was initially conceived as the Swiss National Museum (which the city of Zurich was later chosen to host), the architect took as his model various historic castles from the 15th and 16th centuries. An extension to the original museum building was completed in 2009.
The museum contains collections related to the history of Bern from prehistoric times to the present and other artefacts on permanent display from Asia, Oceania, America and Egypt. One of the most remarkable items in the collection is the Muri statuette group, a group of six Gallo-Roman bronze figurines.
Over the museum's entrance is a glass mosaic, 'The Age of History', featuring the figures of Poetry and History, made in 1900 by the Swiss painter Léo-Paul Robert.
First conceived as a temporary exhibition in 2005, the Einstein Museum became a museum dedicated to the life and work of Albert Einstein, who developed the Relativity Theory while living in Bern. The house where he lived (Einsteinhaus) in this period is also open to the public, but is located elsewhere in the city and charges separate entry fees.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.