Baranów Sandomierski Castle is one of the most important Mannerist structures in the country. The castle is commonly known as the 'little Wawel'. Originally a residency of the Lubomirski family, it now serves as a historical museum, hotel and conference centre.
The castle was built around the years 1591–1606 in the style of Poland's Mannerism with richly decorated attics, side towers and arcade courtyard for Andrzej and Rafał Leszczyński (1526–1592) of the Wieniawa coat of arms. It is believed to be the work of a famous Italian architect, Santi Gucci, the court artist of king Stephen Báthory. In about 1620 the castle was surrounded by bastion fortifications and in 1625 its chambers were adorned with early Baroque decorations executed by the eminent stucco decorator Giovanni Battista Falconi.
By the end of the 17th century, the castle came into the possession of the Lubomirski family through marriage. Prince Józef Karol Lubomirski wedded its owner, Princess Teofila Ludwika Zasławska in 1683, and rebuilt her principal residence by way of commissioning the royal Dutch-Polish architect Tylman van Gameren (Tylman Gamerski) from the court of Jan III Sobieski, who converted the castle, added the western wing gallery and embellished the interiors with profuse late-baroque stucco decorations. The gallery housed their collection of art. Notably, almost two centuries later, all works of art were destroyed in massive fires, first in 1848 (with the entire library) under Krasicki family and finally in 1898 under Dolańskis.
Castle in Baranów Sandomierski passed successively into the possession of families: Wiśniowiecki, Sanguszko, Lubomirski, Małachowski, Potocki and Krasicki. In 1867 it was acquired by Feliks Dolański. The structure was restored by subsequent owner Stanisław Dolański after a fire in 1898. Under the direction of Kraków architect Tadeusz Stryjeński some changes were carried out in the layout. During this reconstruction one of the chambers on the ground floor was adopted as chapel and decorated in art nouveau style. Stained-glass windows by Józef Mehoffer and an altar with a painting of Jacek Malczewski Our Lady of the Immaculate Conception were major features of the interior. The castle remained in the possession of the Dolański family till the outbreak of World War II. Due to war damages the castle was renovated by the State in the years 1959–1969.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.