The Santiago de Compostela Cathedral is the reputed burial place of Saint James the Great, the apostle of Jesus Christ. It is also one of the only three known churches in the world built over the tomb of an apostle of Jesus.
According the legend, the tomb of Saint James was rediscovered in 814 AD. The king Alfonso II of Asturias ordered the construction of a chapel on the site. This was followed by the first church in 829 AD and then in 899 AD by a pre-Romanesque church, ordered by king Alfonso III of León, which caused the gradual development of this major place of pilgrimage. In 997 the early church was reduced to ashes by Al-Mansur Ibn Abi Aamir (938–1002), army commander of the caliph of Córdoba.
Construction of the present cathedral began in 1075 under the reign of Alfonso VI of Castile. It was halted several times and the cathedral was consecrated in not before 1211. The cathedral was expanded and embellished with additions in the 16th, 17th and 18th centuries.
The cathedral has historically been a place of pilgrimage on the Way of St. James since the Early Middle Ages and marks the traditional end of the pilgrimage route. The building is a Romanesque structure, with later Gothic and Baroque additions.
The cathedral's artistic high point is the Pórtico de la Gloria inside the west entrance, featuring 200 masterly Romanesque sculptures by Maestro Mateo, who was placed in charge of the cathedral-building programme in the late 12th century. Now with much of their original colour restored, these detailed, inspired and remarkably lifelike sculptures in Galician granite add up to a comprehensive review of major figures and scenes from the Bible.
The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.